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Mark Rogers is an award-winning travel writer. His work regularly appears in USA Today and other media outlets. He’s the author of Koreatown Blues.
Hobbs is a professional thief who takes on a heist even though the money doesn't match the risk....but the woman behind the job does.
The Preacher gambles for an atomic bomb...and the fate of Las Vegas hangs in the balance.
When a young man buys a car wash in LA's Koreatown, he gets a young Korean wife he's never met as part of the bargain and plunges into a centuries old blood feud.
The brilliant sequel to Road to Perdition, Max Allan Collins’ masterpiece of crime fiction that became both a literary and cinematic classic. Michael O'Sullivan returns from WWII and infiltrates the mob to avenge his family from within.
OUTSIDE THE LAW by Phillip Thompson. Colt Harper is the Sheriff in a rural Mississippi county who goes up against a Memphis drug cartel and their cold-blooded assassin and will do whatever it take to get justice...even if it means going outside the law.
With the “Road to Perdition” movie in production, and having written the novelization (even if it was published in a truncated form…until just lately), I thought writing prose sequels, as opposed to graphic novel ones, made the most sense.
Perhaps you’ve read the graphic novel and don’t see the point in revisiting this story, particularly if you’ve seen the movie. Or maybe you read the previously published version and figure that, even though it’s 30,000 words shorter, you’ve already experienced this story in prose. The new Road to Perdition novel (and it’s “new” despite having been written in 2001) is not just 30,000 words longer – it’s a different novel entirely. To explain, I have to revisit the painful experience of writing it…
There’s an old saying that it’s easier to edit than it is to write, but I’m not sure I’m all in on that. Especially when you’re writing long form fiction.
I use a variety of methods to stay mentally and physically focused while I’m trying to write a novel, and this is important to me because I don’t spend all day writing. I may go days without being able to sit down with the characters, and I need to be able to jump right back in whenever I do. So, one of the big challenges for me during the writing of Outside the Law was staying organized for the long haul. Both physically and mentally.
It was bad enough that in 2007, at the age of 55, I tore up roots and moved from the east coast to Los Angeles, to carve out a career as a screenwriter. I upped the fish-out-of-water ante by choosing to live in an ethnic enclave—Koreatown. On arrival I found myself in a neighborhood where I not only couldn’t speak the language—I couldn’t even decipher the store signs. I was an outsider, which isn’t a bad situation for a writer.
Like a lot of writers I know, I started out with a grand idea and a lot of words clogging up my head, and so I embarked on the tale in December 2013. I cranked out nearly 10,000 words over a holiday vacation week and felt pretty good about where I was headed.
Then reality set in. Ten thousand words is a commitment — once I’m into it that deep, I have to finish it.
I’ve been reflecting on the Grand Master this past week, the only troubling aspect of which is that it’s a reminder that a long career preceded it, and that the remainder of that career will be much shorter. Life achievement awards are something people try to give you while you’re not dead. So that part of it is sobering.
We’re delighted to announce that The Mystery Writers of America has named Max Allan Collins a Grandmaster — the pinnacle of achievement in mystery writing. The award honors his important contributions to the genre as well as for a stellar body of work that is, as they put it, “both significant and of consistent high quality.” We couldn’t agree more!