Mysteries Archives - Brash Books

12.27.18 Ben Jones: My Friend HARDMAN

Brash Books is republishing the 12 Hardman novels by Ralph Dennis.... a brilliant series of crime novels long sought-after by collectors and beloved by crime writers. Very little is known about the author, who died in 1988. So we sought out some of the people who knew him best to tell us about him. Ben Jones was one of Ralph's oldest friends and became famous as an actor (he was "Cooter" on Dukes of Hazzard) and later as a Congressman from Georgia in the House of Representatives. His remembrance of Ralph below appears as the Afterword in the Brash edition of the Hardman novel Down Among the Jocks. If, on a late summer afternoon in 1973, you had walked into George’s Deli on Highland... more

05.03.15 Ripley Reads: Thrilling Books for Your Summer

Written by W.L. Ripley

Brash Books Author W.L. Ripley (Storme Warning, Hail Storme, etc) shares the thrilling books he's been reading lately...and that you might want to add to your summer reading list. Crush (Phoef Sutton) – Phoef is an Emmy award winning writer for such luminaries as “Cheers,” “Newhart” and “Boston Legal.” His protagonist Caleb Rush (AKA: Crush) is a titanic hero who can do anything and everything and does it with panache and rollicking humor in a story that takes the reader on a wild carnival ride through the mean streets of the L.A. underworld. There is tension, black humor, pathos, quirky dialogue along with the humorous on every page. Sutton hits every note as Crush never... more

04.09.15 There’s No Such Thing as Noir Lite

Written by Gar Anthony Haywood

Not so long ago, I did something I really didn’t want to do: I watched the movie Precious. Lord knows I’d tried to avoid it; critical acclaim or no, any film about a poor, obese, teenage black girl growing up as the live-in slave of an equally obese, abusive, welfare-queen mother has to be the cinematic equivalent of root canal surgery, right? Why would I ever want to subject myself to that kind of misery? Well, surprise, surprise — the film was brilliant. Well written, smartly directed, and performed by a cast of actors deserving of every accolade and award nomination it received. In short, I’m glad I saw the movie. But yeah, sitting through it was a living... more

02.04.15 Building the Too-Perfect Protagonist

Written by Gar Anthony Haywood

One of the questions we writers get all the time is: “Is your protagonist you?“ I’ve heard a lot of different answers to this question, some long and some short, but I don’t think I’ve ever heard anyone just come out and say what we all know to be true: “Of course he is!” Because really, is there ever any doubt? Why create a heroic character — especially one who triumphs in the end — if you can’t live vicariously through him? And how can you live vicariously through a character who’s totally removed from yourself? Has anyone ever read a Charlie Fox thriller and not seen Zoë Sharp herself doing all that ass-kicking? I didn’t think so. Sure,... more

02.03.15 The Inside Story: Death of the Detective by Mark Smith

Written by Mark Smith

Today is pub-day for our re-release of Mark Smith's The Death of the Detective , a National Book Award finalist and widely regarded as perhaps the best crime novel ever written. Author Ed Gorman, founder of Mystery Scene Magazine, took this opportunity to interview Mark. Here's their talk. It's got to be hard to top what many consider to be an American classic. What are you working on now? I have just finished a 168,000 word novel entitled Da Gama's Gold (a line from Robert Frost's "America Is Hard to See"), a reworking and reduction from a longer novel I spent too many years writing. It's likely my most ambitious work since The Death of the Detective, and whereas that novel took on... more

10.13.14 Writing Noir & Crime Fiction: It’s All In The Voice

Written by Craig Faustus Buck

I write noir. To me, noir is all about voice. A lot of noir writers go to great lengths to imitate the voices of the greats. I have neither the memory, the critical analysis skills, nor the patience to do that. So my voice is, by default, my own. I consider my work neo-noir because it adds a certain psychological and emotional realism and depth that the classics lack but today's readers have come to expect. I wrote my first novel, Go Down Hard, and am writing my novel-in-progress in first-person present tense, which gives the work a feeling of urgency. My novella and the short story that spawned it, Dead End (which was just nominated for an Anthony Award), are in third-person... more

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