Mystery Writing Archives - Page 5 of 6

12.03.14 You’ve Got To Open with a Grabber…

Bang out of the gate. Or else. Are you one of those readers who scan the first paragraph of a book and puts it down if it doesn't grab you? I am. If I'm feeling ornery, I'll give the author only one line to snag me. So, as a writer, I make a point of trying to write openings that pop in order to avoid losing those readers who are as quick to judge as I. The first line has to be a grabber. A lot of writers like to set the scene before diving into a story, but most readers aren't interested in what a character feels or how a setting looks unless they're already invested in that character or wonder about that setting. As Elmore Leonard famously advised, "Never open a book with... more

11.03.14 Ficton That’s Ripped from the Headlines

Written by Joel Goldman

Any self-respecting fan of Law & Order knows that the popular cop show franchise often draws its inspiration from crime stories that are “ripped from the headlines.” And no matter how many disclaimers emphasize that if the characters or plot bear any resemblance to a real-life individual or event it is completely coincidental, we instinctively recognize the original source. As consumers of popular culture, as participants in everyday modern life, we encounter dark and mysterious circumstances on a daily basis. Unless you have been residing among the Amish, or have elected to forego all modern conveniences by choice, you likely have heard about the activities of Jodi Arias —... more

10.13.14 Writing Noir & Crime Fiction: It’s All In The Voice

Written by Craig Faustus Buck

I write noir. To me, noir is all about voice. A lot of noir writers go to great lengths to imitate the voices of the greats. I have neither the memory, the critical analysis skills, nor the patience to do that. So my voice is, by default, my own. I consider my work neo-noir because it adds a certain psychological and emotional realism and depth that the classics lack but today's readers have come to expect. I wrote my first novel, Go Down Hard, and am writing my novel-in-progress in first-person present tense, which gives the work a feeling of urgency. My novella and the short story that spawned it, Dead End (which was just nominated for an Anthony Award), are in third-person... more

10.10.14 Great Crime Writers Create Memorable Bad Guys

Written by Joel Goldman

Great crime writers like James Patterson, Lee Child, Michael Connelly, and even horror writers like Stephen King draw readers into their stories by creating complex villains we love to hate. In writing my crime novels, I pay just as much attention to developing the villain (or in some cases, villains) as I do when crafting the protagonist. Both characters must have strong, complex personalities and interest the reader to the point of near obsession. If a writer can do that, he or she has pulled the reader into the dark world all thriller readers want – fast, dangerous, and with plenty of unexpected twists and turns. WHAT MAKES A GREAT VILLAIN? Not too long ago, Publishers Weekly... more

09.15.14 Creating Delilah West: Can’t swim? Dive in Anyway

Written by Maxine O'Callaghan

Death is Forever by author Maxine O'Callaghan

When I began writing my first novel, I was blissfully ignorant of that sage piece of advice: Write what you know. I wasn't a cop, or a pathologist, or a special agent for the FBI. Besides a stint in the Marine Corp Reserve, I was, first, a secretary, then a stay-at-home housewife and mother who read. A lot. Mostly mysteries and suspense with an emphasis on private eye fiction. So it seemed perfectly natural to me that when one of my first short stories, A Change of Clients, appeared in Alfred Hitchcock's Mystery Magazine in 1974, it featured a private detective. My only concession to the write-what-you-know maxim was to make my detective a woman, because, well, I was one. It really... more

09.08.14 Writing the JUAN DOE MURDERS: What’s Old is New, What’s New is Old

Written by Noreen Ayres

The Juan Doe Murders by author Noreen Ayres

The Juan Doe Murders could have spun right off today’s headlines. Back in the ‘90s when I was living in Southern California, I was touched by the fate of Hispanics who arrived without, shall we say, government permission. Driving south just twenty miles from my home, I’d see highway signs with the black silhouettes of a running man and a woman just behind him grasping the hand of young child whose pigtails are flying as she seems lifted nearly off the ground; above them, the word “Caution.” The signs were to notify drivers that illegal aliens were told by their “coyotes” to jump out of vehicles near the immigration checkpoint and run across the freeway to hide in the shrubs... more

Posts Tagged: Mystery Writing